South Korean films have been breaking new Cinematic grounds for quite a while now. The latest masterpiece from soil of Seoul is Park Chan Wook's 'The Handmaiden'. Adopted from the acclaimed Booker prize nominated novel of Sarah Waters' 'Fingersmith', it changes the setting of Victorian Era of Britain from the novel to Japan occupied Korea for its purpose. Headlined by the precocious talents of Kim Min-Hee, Kim Tae-Ri and Ha-Jung Woo, it tells us a story of deceit, slavery, mental torture and love; all wrapped in the garb of eroticism. By its sheer force, it announces the arrival of 'erotic thrillers' back to filmgoers' reckoning. It came to my knowledge when I was going through the list of Bafta Winners for this year. Out of curiosity, I looked over it on internet and when I found out it was helmed by Park Chan Wook who has given us 'Oldboy', a worldwide smash hit some 10 years ago, I had to see it. Park Chan Wook is a visionary filmmake...