Skip to main content

In the Name of The Father : An Unforgettable Experience

'In the Name of The Father' is a 1993 biographical courtroom drama directed by Jim Sheridan and stars Daniel Day Lewis, Emma Thompson and Pete Postlethwaite. I came across this film while doing a feature on Daniel after his victory of Best Actor Award for 'Lincoln'. I first watched it in year 2013 I guess and wanted to write immediately about it but as it happens with me, some other emotions of work took over me and I didn't do what was required. However, the movie and its portrayal of 'Guildford Four' or IRA's conspired 'Guildford Pub bombing' has ever since been etched in my memory.

Jim Sheridan had previously directed Daniel in 'My Left Foot' and it got both of them Oscars. Daniel Day Lewis since then has established himself as one of those 'untouchable' acting deities of World. Three Oscar Wins as Best Leading Actor.....no one has ever done that in Oscars history and this film gives us the glimpses of his earliest acting potential. But before all that swooning over Daniel's performance, there was something else in the film that hooked me from its first minute. It was Bono and Gavin Friday's Title Song: 'In the Name of the Father'......the accompanying music and lyrics of the song characterize so much of the chaos Northern Ireland and Belfast in particular was experiencing in the time. The time period we are talking about here is 1970s-1980s when Irish People considered Britishers their only enemy. It's an adrenaline-pumping song that gets you in the mood in a jiffy. Then there is another song that appears in dying moments of film and also in closing credit. It's Sinead o Connor's 'The Thief of My Heart'.....it's been one of my most favorite songs for last 3 years....so beautiful, so touching.

The film was marred by some controversies too upon its release. The accusation was of misrepresentation of historical facts. The credibility of British Legal System is one of the chief targets of this movie and 'Guildford Four' incident is undoubtedly one of its blackest blots. Jim Sheridan has definitely taken some creative liberties while making this film but as he clarified in year 2003, this film was really not a political commentary, instead it was a representation of the relationship between a father and his son where father was seen helping his son through everything that's morale-damping and utterly discouraging.

Pete Postlethwaite here plays the father and he was an actor whom Speilberg accredited as 'best in the world' while filming his third Jurassic Park movie with him. As I have mentioned in the world that very few could speak of the acting prowess that could topple Daniel's, here is Pete, acting as his father Patrick 'Giuseppe' Conlon, trumps him in full glory. Daniel hasn't given an inch to Pete but Pete acquires ground beneath his feet without ever letting Daniel know about it. This is a masterpiece in acting and both these masters must be hailed for their superlative performances. It's really bewildering that a film featuring Emma Thompson doesn't really talk about her performance but she really has become a sidenote in this film and that's not really her fault as it has so much to do with IRA, the Conlons and British legal system.

At the end, it's an important film for it tells us a story of a time-period of world history that has been trampled like our own Independence story. You could know much more about English and Irish history only by watching Conlons' story here. I'm feeling relieved and much obliged that I have finally managed to write something of note commemorating this film. It's absolutely phenomenal and you could take my word for it!!!!

Adios!!!!

Comments

Popular posts from this blog

The Leftovers: A Very 'Special' HBO Production

Three things that have occupied my mind for last three days in descending order of importance are: Justin Trudeau, Heinrich Klassen and The Leftovers. I am going to write here about the least important entity for I am likely to forget about it most urgently. The Leftovers is an HBO production and like the most HBO productions, it makes for a great television experience. I chose to watch it for two reasons: First, it was only three season long with 28 episodes in total and secondly, for two years running, it was the best TV show in American Landscape. There was a third reason as well and it was in the name of its creator's promise. Damon Lindelof is one of the brightest American minds and he gave us 'Lost' all those years back. I have been a huge fan of 'Lost' and till this time, gush about its fantastical and mythical elements. People still find it very hard to crack the mysteries of Lost and when a show leaves you with more questions than the answers after its 8

Book Review: Unanswered

'Unanswered' is a book penned by Mr. Kunal Uniyal and it's his third book. I am calling it a book, using a common noun to describe it and I have a good enough reason for doing so. It's a book that consists off both poems and prose and I was in real dilemma picturing its prognosis in my mind. It started with a poem named 'You and I' and beautiful it was, all poised and lyrical. And then came a snippet of a prose by the name 'Life of a Yogi'. They were really not connected and I was perplexed. Then I allowed myself some comfort and decided to dig up some more. Some more beautiful poems and accompanying yet again not quite related passages of prose followed but now they looked more in shape and very much in order. Now I was beginning to realize that there was more to this book than met my eyes earlier and it's scope is much wider that what I originally thought. You are required to engage yourself with this book and once you do that, you will know you ar

Phillip Seymour Hoffman : An Obituary

Phillip Seymour Hoffman was one of the modern acting greats. You can always identify and isolate him in an ensemble cast. Give him just two-three lines in a 150-180 minutes long feature film and still he would enthrall the audience with his magic and aura and come out on top. People and critics alike bestowed countless superlatives upon him in a career spanning over more than two decades but whether any one of those adjectives ever managed to justify his cinematic craft, I seriously doubted. He was unprecedented and unsurpassed in the practice of cinematic artistry and thus emerged as America’s greatest character actor ever, period. Paul Giamatti is his worthy successor and hopefully he would calm and soothe our nerves with his finest performances in times to come in Phillip’s absence. Phillip ultimately was a show-stealer, a rabble-rouser, an aloof but a sympathizing marvelous human being who marveled in Hollywood though always residing at its sidelines. I first saw him playing a y